It will output to the left SPDIF field (Git) while the wet signal (Stack, Mono L, Mono, Mod L, Mod) will output to right field. You can use Reamp Sense to adjust for any gain differences if your DAW has manipulated the dry track volume.ĭepending on your output settings (if you have one of the Git options selected), the Guitar Input is still active while the Input Source is set to SPDIF Reamp. Switch the Kemper's Input Source (tap the Input button) to SPDIF Reamp - this only listens for the left channel of the SPDIF input. The dry track should output to the left field of interface's SPDIF output. The output settings for the Main outs are the same - Git/Mono L or Git/Stack. If SPDIF is not available, the simplest setup is to use the Direct Output to send the dry DI signal and the Main outputs to send a stereo wet signal. You can record both the dry guitar and wet ("amped") sound to separate tracks, by using mono tracks and setting the dry track's input to SPDIF L and wet track's input to SPDIF R. Use SPDIF output settings of Git/Mono L or Git/Stack. The recommended settings for tracking DI's are to use your usual input setting (front or alternate) for your guitar signal. However, if you have existing projects at different sample rates, it may be simpler to connect the KPA via analog connections instead of SPDIF, rather than converting all the audio files for your project down to 44.1 kHz. As noted on the interface setup page, 44.1 kHz does not denote a loss of quality on your interface's A>D converters or the sound of the recorded audio tracks - it will simply have less ultrasonic information above the Nyquist frequency, which is in this case is 22 kHz, the edge of perceptible sound for the human ear. To use SPDIF with your DAW, the Kemper requires being the SPDIF clock source, and must operate at 44.1 kHz. The Kemper provides SPDIF input and output and this is generally the best way to connect the KPA and your interface. The Kemper provides several features that make tracking and reamping easier and quicker.
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